Recording Against Regimes

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6 – 23 March, 2013 

 

 

EU logo 2EXHIBITION / OPEN AIR CINEMA / OPEN PUBLIC DISCUSSION

 
Recorded images that are created as a personal or collective expression against political regimes during significant political changes are the counter-weight for those generated by the official media. They operate on many different levels. Recording the reality of life under oppressive regimes may be a matter of personal documentation or a deliberate attempt to communicate with the wider world. Articulation of the difference between official information and individual reality is an act of civil resistance against official propaganda. The documentary becomes a factor of change: the regimes no longer have a monopoly on information and thus lose control. The recorded document remains when the revolution is over and can often be interpreted not only by its content but also by the type of device used. On the more sophisticated level, video art and experimental cinema are continually using new approaches and forms of presentation. The viewer, shaken from accustomed visual habits, experiences new forms of perception and becomes more critical. The geo-political context, the tools and their accessibility to artists and to the large public, and the means of diffusion have obviously changed through time and space.
 
In Poland and Germany in the 1980s and the 1990s access to recording equipment was rare and access to distribution even more difficult. Very often, artists who did have access to a camera experimented with it naturally by focusing their lenses on the closest political and social realities. But twenty to thirty years later in Egypt, everyone could do it through personal devices and social platforms. Egyptian artists, filmmakers and ordinary witnesses of events have produced and are still producing thousands of gigabytes of footage that is becoming the material for documentaries, short films, and videos. Many of them await usage.
Videos and films included in the exhibition are not considered so much as a genre but more as a means to investigate the changing role and influence of visual technology and the different ways the moving image and its perception can be expressions of resistance.
 
1. Exhibition of Experimental Short Films
 
Jozef Robakowski – Cinema is Power
Piotr Bikont – Double Stumble
Zygmunt Rytka – Retransmission
Jacek Niegoda – The Dissenter
Antal Lux – Mauerläufer
Egon Bunne – Everything Changes
Hartmut Jahn – A Double German Fantasy
Heba Amin – My love, for you, Egypt, increases by the day
Bassem Yousri – Pulse
Mosireen – The People Demand the Fall of the Regime
2. Open Air Cinema
7 March
Andrzej Wajda – The Man of Marble
8 March 
Heiko Lange – The Noise of Cairo: A Documentary about Cairo, Art and Revolution
Maria Zmarz-Koczanowicz – Children of the Revolution
9 March 
No screening at Darb1718 on the day, but everybody is invited to the Open Panel Discussion at Bayt al-Sinnari, Sayeda Zeinab Square, Cairo
10 March
Cynthia Beatt – Cycling the Frame
Cynthia Beatt – The Invisible Frame
11 March
Wolfgang Becker – Good Bye Lenin
12 March 
Andrzej Wajda – The Man of Iron
13 March
Shorts by SEMAT Production
Hanan Abdalla – In a Shadow of the Man
9 March
Florian Henckel von Donnersmarck – The Lives of Other
3. Open panel discussion at Bayt al-Sinnari, Sayeda Zeinab Square, Cairo
Doors open at 12:00
Introduction at 12:30
PANEL 1 : 1pm-2pm – Is recording documenting? – chaired by Mona Abaza
Mona Abaza – Sociologist/Egypt
Maria Zmarz-Koczanowicz – Filmmaker/Poland
Hala Galal – Producer/Egypt 
Egon Bunne – Artist/Germany
PANEL 2 : 2.30pm-4pm – Medium, form and technology – chaired by Mona Abaza
Mona Abaza – Sociologist/Egypt
Piotr Krajewski – Curator/Poland
Jacek Niegoda – Artist/Poland
Hartmut Jahn – Artist/Germany
Heba Amin – Artist/Egypt
PANEL 3 : 4.30pm-6pm – International struggle – chain of reactions? – chaired by Maxa Zoller
Maxa Zoller – Curator/Germany/Egypt
Cynthia Beatt – Filmmaker/Germany 
Bassem Yousri – Artist/Egypt
 
Mona Abaza
Mona Abaza is a Professor of Sociology in the Department of Sociology, Anthropology, Psychology, and Egyptology at the American University in Cairo. Expert in consumer culture, discourses on enlightenment in the Middle East and gender issues.
 
Heba Amin
Heba Amin is an Egyptian artist whose work seeks to map collective memory as it relates to the built environment. Her theoretical and studio-based work addresses themes related to urban planning, mapping, migration/immigration and language as an aesthetic database to explore junctures, failures, and flawed memory. 
 
Cynthia Beatt
In 1988 Cynthia Beatt and the young Tilda Swinton embarked on a filmic journey along the Berlin Wall into little-known territory. The film CYCLING THE FRAME is now an unusual document. 21 years later, in June 2009, Beatt & Swinton re-traced the line of the Wall that once isolated West Berlin. THE INVISIBLE FRAME depicts this poetic passage through varied landscapes, this time on both sides of the former Wall. http://www.invisible-frame.com

Egon Bunne
Egon Bunne alongside his own art productions, has since the early 1980s worked as producer and editor on projects ranging from the video magazine «Infermental» to the TV magazine «VAMP».
 
Hala Galal
Hala Galal is an Egyptian filmmaker. She has worked as a film director, script writer, and producer. She co-founded Semat Production and Distribution and has been a consultant for Caravan of the Euro-Arab Cinema, a project funded by the European Union, EuroMed Audiovisual II program.
 
Hartmut Jahn 
Hartmut Jahn started to make films, videos and installations from 1976. He teaches at numerous universities; since 1998 he is a professor at the Mainz University of Applied Sciences. His work is shown worldwide and he received several prizes. Recently Jahn returned to the subject of Berlin Wall twenty years later in a photography project.
 
Piotr Krajewski 
Piotr Krajewski is curator, critic and lecturer, expert in issues of contemporary art and media culture. He is co-founder and chief curator at WRO Art Center in Wroclaw, Poland. Author of many publications,  including "The Hidden Decade" – the selection of Polish video art between 1985 and 1995 and "From Monument to Market". The Polish art works presented in the “Recording Against Regimes” exhibitions comes from these selections.
 
Jacek Niegoda
Jacek Niegoda graduated from the Faculty of Sculpture at the Academy of Fine Arts in Gdansk in 1998.
Niegoda co-established the Wyspa Foundation and CUKT – Central Office of Technical Culture, important independent artists' groups.
 
Bassem Yousri
Bassem Yousri is an Egyptian visual artist and independent filmmaker. His multidisciplinary practice ranges between creating mixed media installations in art galleries, public and street art, awareness campaigns, and experimental documentary films.
 
Maria Zmarz-Koczanowicz
Maria Zmarz-Koczanowicz is a visual artist and film director. She is a Professor of Film Academy in Lodz, Poland and a Dean of Faculty of Directing. Documentary films are her focus, though her credits also include television theatre productions and one feature film. ​
 
Maxa Zoller
Dr Maxa Zoller has been working as lecturer in moving image art and critical theory since receiving her PhD in film studies from Birkbeck College, London in 2007. In her capacity as film curator she presented "Generation Berlin Wall: Films from West Berlin and East Germany in the 1980s" at Tate Modern in 2009. She recently led a workshop at Darb 1718. Maxa currently lives in Cairo.
 
The event is organised by ARCHiNOS Architecture (www.archinos.com) in cooperation with WRO Art Center, Wroclaw, Poland (www.wrocenter.pl). The project is co-funded by the European Union as part of its annual Cultural Cooperation Programme in Egypt. It is additionally supported by the Bibliotheca Alexandrina, the Embassy of the Federal Republic of Germany in Cairo, and the Embassy of the Republic of Poland in Cairo.

Project director: Agnieszka Dobrowolska
Curator: Klio Krajewska

 

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